ALBUM REVIEW: Bellevue – The Bobby Lees

Experimental albums are really hit or miss. It’s very easy to come across like a band is trying way too hard to be different, or, in the case of Woodstock-based THE BOBBY LEES, it can be exactly what they need to take their sound to the next level. Bellevue, named after a psychiatric hospital, is the band’s third studio album, and their first with Ipecac Recordings. It’s possible their new record deal was the push THE BOBBY LEES needed to turn their garage-punk sound into something really different and memorable. At this point in their career, they’ve mastered songs about mental health in a way that people care about, and that dark, intense creativity is needed in the world right now.

There is absolutely no warning for what will hit you when Bellevue opens with its title track. Starting with a scream and then bursting into intense but melodic vocals, you’ll know pretty quickly if this band are your style. With the drums as the focal point, the tempo increases throughout, and although the song is extremely short, this works in its favour. Next is Hollywood Junkyard, which starts with whispered vocals and screeching guitars, which is a strange combination but creates anticipation and ambience. Vocalist Sam Quartin puts on an old Hollywood accent, and blended with the punk instrumentals it’s a weird mix but surprisingly works really well. The bass line adds to the groovy feeling, and added sound effects prove the experimental nature of the song really pays off.

Someone that especially deserves recognition for this album is THE BOBBY LEES‘ drummer Macky Bowman, as the drums bring so much to so many of the songs. They fill the gaps perfectly, building anticipation and creating a really unique sound. The bass is also a key part to many of the tracks – Death Train for one – as it brings a level of simplicity to balance the chaos of everything else, which works really well. Generally, each instrument earns its place and holds its own, and it’s really cool that absolutely nothing on this album is used to fill space, everything is deliberate. A few metal-style guitar solos are dotted through the album, once again taking a little something from many different genres.

Though the vocals don’t overshadow the instruments, they are still the highlight. Quartin pushes her voice in a way that should be difficult but presents as effortless in songs like Greta Van Fake, but also proves she can sing in more low, mellow tones in Little Table. While it’s easy for the lyrics to be lost under everything else, they’re an important element. They mix uncertainty and existentialism with American frivolity, creating both a celebration and protest.

THE BOBBY LEES have leaned into a new kind of confidence – a risk worth taking. They embody a level of chaos that might not be for everyone, but it cannot be denied that they have found a sound they can pull off amazingly. If people don’t start listening soon, this band will make themselves heard.

Rating: 9/10

Bellevue is set for release on October 7th via Ipecac Recordings.

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