ALBUM REVIEW: From Low Beams Of Hope – Pijn
Manchester post-rock outfit PIJN garnered significant attention off the back of their impressive debut album Loss in 2018, and rightly so. Since then they have encountered numerous obstacles in their path including numerous line-up changes and their studio flooding! At long last the eagerly anticipated follow-up entitled From Low Beams Of Hope draws near, due to be released on June 28th via Floodlit Recordings. Will they pick up where they left off?
Our Endless Hours takes little time to immerse you in its multi-faceted soundscape. A host of instruments duck and weave in amongst the intricately balanced layering. Whilst particularly solemn in tone it evokes considerable emotion throughout its phrasing. As it gains momentum the energy levels spike, greeting you with an explosion of sound. Carved Expanse feels equally forlorn, utilising melancholic yet soothing string-work as a focal element of its tapestry. A distinct vibrancy offers up periods of alluring escapism intertwined with impactful drum sequences and dynamic riffing.
Lead single On The Far Side Of Morning possesses a more optimistic mood than its predecessors, opting for a punchy, inviting pacing and snappy hooks. Silky bass lines play their role perfectly. Anyone who fails to appreciate the addition of saxophones to a rock/metal setting needs to reassess their priorities. A Thousand Tired Lives simmers away in the early stages, subtly adding the building blocks along the way. Rather than one specific instrument taking the reins everything gels harmoniously, playing its part in the gratifying union. Flourishes of intensity surge forth to add additional spark to proceedings.
From Low Beams Of Hope is an expansive masterclass of captivating orchestration. Shifting shape regularly to ensure your attention never waivers, it feels effortless to be absorbed in its fascinating chapters. PIJN have once again confirmed that they are experts of cinematic artistry.
Rating: 9/10
From Low Beams Of Hope is set for release on June 28th via Floodlit Recordings.
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