ALBUM REVIEW: Wired For Madness – Jordan Rudess
Whilst Jordan Rudess will be mainly renowned for his stunning work as part of DREAM THEATER he has gained substantial acclaim for his solo works. The latest addition to his repertoire is entitled Wired For Madness. Will Rudess continue to cement his legacy and one of the most influential keyboard players of all time?
Wired For Madness Part 1 displays a jazz influenced pacing in the early stages with a nostalgic 70’s vibe. The track is supported by prominent bass lines and subtle drum work as to not overpower the arrangement. Crunchy guitar riffs are introduced to build the intensity before the signature quirkiness which has become a staple of Rudess‘ artistry kicks in with a circus-like procession. The track twists and turns through a variety of segments from different areas of the musical spectrum like an inviting swing piece to dramatic synthwork. Towards the latter stages Rudess also lends some vocal work to the track. Wired For Madness Part 2 brings forth a dramatic prose with a chorus of obscure vocals before leading into alluring synths and a calming tempo. Intriguing drum and bass-like elements flow into groove ridden riffs which transitions once more into a theatrical narrative. The track continues its chameleon like approach, shifting to suit its surroundings with technical bursts of heaviness and fanfares to completely bedazzle the listener with what could possibly be lurking further down the path. Whilst the track ebbs and flows through a multitude of forms it somehow gels effectively.
Off The Ground feels like a bit of a palette cleanser and the opportunity to step back and interpret what exactly just occurred for the last 34 minutes. Rudess‘ graceful vocals accompany some tasteful lead work as the soothing nature of this track allows you to drift away with the delicate instrumentation. Drop Twist sees a return of the eccentricity with mechanical whirrings and a sprightly demeanour. As the track progresses further alluring tones are added to the mix to provide an upbeat atmosphere. Perpetual Shine follows a similar principle but adds a bit of extra buoyancy with some dramatic virtuoso elements and enticing bass work.
Just when you thought there wasn’t anything else that Rudess could possibly bring to the table Just Can’t Win takes a very grand bluesy approach which wouldn’t feel out-of-place in a theatre production. Slick guitar work helps to enhance the majesty. Just For Today reprises the elegant classical vibe instilled previously supplemented by a melancholic, emotive atmosphere. Why I Dream saunters towards the finish line with intriguing melodies and an animated tempo. Rudess ensures that he leaves every ounce of his blood, sweat and tears within this track as he effortlessly launches through a string of impressive solo bursts.
The sheer complexity Wired For Madness entails is breath-taking but for listeners who aren’t too acquainted with the sheer indulgence that progressive music displays the initial tracks may be considered a step too far down the rabbit hole. There is a lot to digest and for some it could be considered overwhelming but if your ears are already acclimatised to the experimental nature of Rudess‘ previous works you will have no issue basking in the splendour on show. It is simply baffling that this has been constructed as the product of the human mind but is the perfect depiction of what is truly possible when you push the boundaries of music to its limits.
Rating: 8/10
Wired For Madness is out now via Music Theories Recordings/Mascot Label Group.
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