ALBUM REVIEW: I Saw The World’s End (Hangman’s Hymn MMXXV) – Sigh
Over nearly four decades and twelve albums, SIGH have been an unparalleled force, pushing the envelope in the avant-garde and
Read moreOver nearly four decades and twelve albums, SIGH have been an unparalleled force, pushing the envelope in the avant-garde and
Read moreWith their debut record, The Approbation, AVKRVST quickly made a name for themselves in the modern progressive rock scene. The
Read moreINDIFFERENT ENGINE are not a band to do anything by half measures. Vocalist Adam Paul established the Cambridge-based five-piece in
Read moreWith their first album in nearly a decade, KUSANAGI have dipped into the dream world to inspire their sound. The
Read moreGuitar-driven progressive instrumental music has come a long way since the heyday of shredders like JOE SATRIANI and STEVE VAI.
Read moreCould there be a more auto-descriptive band name than GLAZYHAZE? The four-piece, hailing from Venice, Italy, are keen proponents of
Read moreHailing from Athens, Greece, CALYCES first made a name for themselves with their debut album, Impulse To Soar, in 2020.
Read moreWith two EPs under their belt, OVERSIZE have garnered plenty of support ahead of their first full-length Vital Signs. Appearances
Read moreThe Scandinavian heritage for heavy music is beyond question. Over the past few decades, its contribution to rock and metal
Read moreThe brainchild of Amaya Lopez-Carromero, MAUD THE MOTH has developed and experimented over the past decade with a piano-driven sound
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