ALBUM REVIEW: Dystopian Syndrome – Molten
The Bay Area of California as as synonymous with thrash metal as New York is for doughnuts, yellow taxis and
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Author: Elliot Leaver
INTRODUCING: Ghøstkid
The term ‘creative differences’ is so often used when people leave bands that it leaves you wondering how many are
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Jinjer: Alive and Kicking
JINJER bassist Eugene Abdukhanov echoes what most musicians have felt for the majority of 2020. Sure, he’s been able to
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ALBUM REVIEW: The Perfect Element Pt. 1 (Anniversary Mix 2020) – Pain of Salvation
The 21st century hadn’t even learned to walk when Swedish prog-metallers PAIN OF SALVATION released third album The Perfect Element Pt. 1 back in
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EP REVIEW: Knock Yourself Out – Babyteeth
Self-described as ‘NIRVANA with vaginas’, British newcomers BABYTEETH are looking to pound 2021 into submission. Building a reputation on a no-holds barred
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LIVE(STREAM) REVIEW: Jo Quail – The Black Heart, London
They say all you need for theatre is a box and a light, and JO QUAIL has followed that by the book
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EP REVIEW: Is It Me? – Fonzy & Company
Bristol is well known for its culture and the cosmopolitan makeup of its population, so it should come as no
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ALBUM REVIEW: A New Kind of Sideways – Kepler Ten
Progressive rock is a genre that is often touted as being exclusively for those of an older generation, consigned now
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EP REVIEW: Jack Of All Spades – Code Noir
It’s been a testing time for Greek/Swedish duo CODE NOIR, but they’re finally coming out of the woods. After a fruitless
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ALBUM REVIEW: Ghøstkid – Ghøstkid
In February this year, German metalcore outfit ESKIMO CALLBOY announced the departure of Sebastien ‘Sushi’ Biesler, their unclean vocalist who had spent
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