ALBUM REVIEW: Migration – Bossk
BOSSK have always chosen to work at their own pace. In fifteen years we’ve seen just a handful of releases
Read more
Author: Jack Moar
LIVE(STREAM) REVIEW: Emperor @ A Night of Emperial Wrath 2021
Despite not having recorded any original material for some twenty years, EMPEROR have managed to maintain their presence in the
Read more
HEAVY MUSIC HISTORY: Dark Medieval Times & The Shadowthrone – Satyricon
Throughout 1992 the Norwegian sky was aglow with the flames of sacrilegious arson. As the churches burned, the soundtrack to
Read more
La Morte Viene Dallo Spazio: Bava and Blastbeats
What would you get if you mixed the introspective psychedelia of Krautrock, with the aesthetic of Italian sci-fi cinema? And
Read more
LIVE(STREAM) REVIEW: Cradle Of Filth @ St. Mary’s Church, Colchester Art Centre
For everyone but the interminable pessimists out there, live music has once again become a tantalising possibility here in the
Read more
ALBUM REVIEW: Dy’th Requiem For The Serpent Telepath – Esoctrilihum
You’d be forgiven for mistaking ESOCTRILIHUM as the project of a hardworking collective than the efforts of an individual, but
Read more
ALBUM REVIEW: Vital – Big | Brave
The story of Montreal’s BIG | BRAVE has so far been characterised by chance. Having set out to experiment with
Read more
ALBUM REVIEW: Ετερόφωτος – Spectral Lore
Based in Athens, SPECTRAL LORE is the autonomous project of Ayloss, who maintains his country’s inimitable reputation in producing both
Read more
Eyehategod: The Nomads Of New Orleans
EYEHATEGOD are not a political band, but A History Of Nomadic Behavior feels like a political album. Written during the
Read more
ALBUM REVIEW: Weedsconsin – Bongzilla
BONGZILLA was born in the mid-nineties, amid a hostile atmosphere of prohibition and cultural conservatism. Medicinal marijuana reforms were underway,
Read more