Jack Press, Author at Distorted Sound Magazine

ALBUM REVIEW: A Mortal Binding – My Dying Bride

If deliriously dreary doom and gloom be something you wish, then drop on the deck and surrender to MY DYING

Whoever decided to ditch the corpsepaint clichés and devil-worshiping, jump the blast beats into hyperspace, and send black metal hurtling

“A human life consists of so much, it’s really complicated. It’s rainy days, it’s sunny days, it’s sad days, it’s

If it ain’t broke, don’t fix it — that’s the doctrine NECROPHOBIC have subscribed to for decades now. Since the

Few artists achieve a genre-defining critically-acclaimed debut album in their lifetime, let alone two, yet for CRYPTIC SHIFT’s Xander Bradley,

“Just taking every day as it comes and grateful to just be doing what we’re doing regardless, so even if

“Even if you delete religion, I think humanity will still find other ways to persecute each other,” declares D.L., the

BORKNAGAR might’ve been born at the backend of black metal’s second wave in the mid-90s, but the course they’ve set

Imagine if Oppenheimer and the avengers of astrophysicists had gotten it wrong; the atomic bomb had set the Earth’s atmosphere

Evangelion (2009) should’ve been BEHEMOTH’s watershed moment. Starting with 2004’s Demigod, and strengthened by 2007’s The Apostasy, BEHEMOTH were no